Rock’n'Roll and Boogie Woogie give their own megaphone to the youth in the 50s. Hairstyles with a Flat, a forwards piled up hair quiff, and a fashion with petticoats, nylons, high heels, shepherd’s check pattern and Vichy-quares underline the attitude to life.
READ MORE →Year: 1958/60
With the expression SERIES K – K for Kraemmerhusstole – Verner Panton meant several different pieces of furniture, partially with suitable (bar) stools and tables which were based – more or less – on the same construction.
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Year: 1958
For Kom-igen Inn, the restaurant of his father, in 1958 Verner Panton was in search of a club armchair which should unite geometrical forms and functionality. The CONE CHAIR does no only justice this claim, he also excels every expectation which one had to date to a club armchair.
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Year: 1959
The WIRE CONE CHAIR was the second chair of the Series K of designer Verner Panton. Formed from a mesh of steel wire, it has the same basic form as his cone-chair-relatives, the Cone Chair and the Heart Cone Chair.
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Year: 1959
HEART CONE CHAIR, Verner Panton named his piece of furniture, based on the Cone Chair, designed in the year before. The backrest reminds of a wing pair. Together with the cone, the base of the chair, the silhouette copies the form of a heart.
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Year: 1959
In the end of the 50s Verner Panton was internationally celebrated as a designer for the first time. Absolutely the interiour creation of the Kom-Igen Inn plaid an important part in contributing.
READ MORE →Year: 1958
As the first big order Verner Panton took over the removal and the indoor creation of the KOM-IGEN inn on property Langeso Park on his home island Fünen. Principal was his father, who pursued the bar as a tenant. He had recognised the potential of his son and wanted to promote.
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Year: 1958/1959
Children faced the Panton Chair Classic with their very own, open manner. They saw the seat not only as piece of furniture, but as a request to play with.
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