Year: 1971
Module furniture which seem to adapt in every situation were the strength of Verner Panton. The WIRE SHELF from the Pantonova family embodies the philosophy of the Danish designer like no second one.
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Verner Panton never limited himself only to the order of single objects, but put them always in a context, incorporated the whole space with his creation. The best example: the VARNA PALACEÂ in Arhus/Denmark in which a restaurant was accommodated. Guest space, way, society halls, toilets – all rooms of the classical building found out an elementary transformation in 1971.
READ MORE →Colourful, more colourful, Flower Power. In the era of the 70s there seem to be no borders any more – except of the own, of course. And even these can be overcome, in the meantime, with psychedelic aid.
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Year: 1971
An organic manifestation, to a little mushroom similarly, characterizes Verner Panton’s PANTHELLA. The light, conceived for the ground and table application, adapts itself harmoniously in her sphere.
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Inspired from the Wire Cone Chair and the Wire Collection Verner Panton sketched PANTONOVA in 1971. The wire furniture series existed of wire sticks parallelly arranged to each other and left open to the sides. The deliberately elective, open creation demonstrated the pieces of furniture filigree and easily in spite of her massive construction method.
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Year: 1971
SPY, called Verner Panton his beginning of the 70s brought up light. Like a concealedly operating person, the spy’s light hides her true face first. Planned for the wall montage, her base exists of a round metal plate on which a lamp fixture was placed concentric.
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