Verner Panton
Design always reflects the time in which it was originated. Expressed differently: Draughts can be better understood, one knows about the historical backgrounds and social moods. For a better understanding of the era Verner Panton we have lighted up the decades of his creating:
READ MORE →Year: 1958/60
With the expression SERIES K – K for Kraemmerhusstole – Verner Panton meant several different pieces of furniture, partially with suitable (bar) stools and tables which were based – more or less – on the same construction.
READ MORE →Year: 1958
As a low filing table for ashtray and drinks Verner Panton conceived the CONE TABLE. His round tabletop, his conical table leg and a three-armed cross base made the table the ideal companion of the Cone Chair, Verner Panton had created for Kom-Igen Inn, the restaurant of his father.
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Year: 1959
The WIRE CONE CHAIR was the second chair of the Series K of designer Verner Panton. Formed from a mesh of steel wire, it has the same basic form as his cone-chair-relatives, the Cone Chair and the Heart Cone Chair.
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Year: 1959
HEART CONE CHAIR, Verner Panton named his piece of furniture, based on the Cone Chair, designed in the year before. The backrest reminds of a wing pair. Together with the cone, the base of the chair, the silhouette copies the form of a heart.
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Year: 1959
In the end of the 50s Verner Panton was internationally celebrated as a designer for the first time. Absolutely the interiour creation of the Kom-Igen Inn plaid an important part in contributing.
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90s
1998
1997
1996
1995
1994
1991
Year: 1959
The first light of Verner Panton which was produced in a row was the TOPAN in 1959. The down open, spherical lampshade was made from polished or colorfully varnished aluminium metal (polished or brushed aluminium and in blue, turquoise, orange and red varnished) by Louis Poulsen.
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