Year: 1964
A mixture of sequin dress and disco ball – the lights from the FUN metal family of designer Verner Panton impress by her glamorous figure. Nobly seeming round metal panels are connected by small metal rings to long chains with different lengths. That holds it dynamic.
READ MORE →Year: 1970
In the 70s Verner Panton fully dived into the world of colours and forms. Strengthened by the success – already at the Visiona 0 – he ventured incredibly avant-garde draughts. The VISIONA 2 resembled a creative fireworks.
READ MORE →Year: 1958
As the first big order Verner Panton took over the removal and the indoor creation of the KOM-IGEN inn on property Langeso Park on his home island Fünen. Principal was his father, who pursued the bar as a tenant. He had recognised the potential of his son and wanted to promote.
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90s
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1991
Year: 1960
The MOON LAMP rang in a new creation style of Verner Panton in 1960. Already in 1955 the designer had conceived droplights who consisted of a system of ring-shaped reflectors, with partly different profiles. These single elements were connected by threads with each other.
READ MORE →Year: 1959
The first light of Verner Panton which was produced in a row was the TOPAN in 1959. The down open, spherical lampshade was made from polished or colorfully varnished aluminium metal (polished or brushed aluminium and in blue, turquoise, orange and red varnished) by Louis Poulsen.
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Year: 1968
Simply and nicely, with these both adjectives the FLOWERPOT by Verner Panton can be described the best way. Conceived as a table light, cover light and garden light, the design of the light sketched in 1968 was distinguished in 1972 with the federal price Gute Form of the Federal Republic of Germany.
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Year: 1977
The world is a ball. As a shed version of the VP GLOBE Verner Panton created the PANTO a good seven years later. With it she also embodies his unique Space Age style. The reflectors, accommodated in the core of the acrylic ball, were decimated and except of the inside of the small reflector all varnished white.
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