MAGAZINE – ARCHITEKTUR&WOHNEN
The current issue of the ARCHITEKTUR&WOHNEN, short A&W, felt into my hands. While paging through I think: Wow, how present Verner PANTON with his draughts is – directly or indirectly – till today.
READ MORE →“The fact that red accelerates the pulse, nevertheless, everybody knows”, expressed the Dane once. Because its oscillation swing most slowly, red is really the thickest and heaviest of all colours.
READ MORE →COLOURS INFLUENCE THE WELL-BEING
“The colours influence our life and our momentary mood. Colours can generate a cheerful or a depressed atmosphere. For many people colour is more important than form if they do look at an object (not ladies) or experience something. It would be ideal if one could change his surrounding according to his mind situation, daytime and season”, said Verner PANTON.
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Year: 1968/69
Residential sceneries were Verner of Panton’s favorite subject. His LIVING TOWER, for the first time as a Phantasy Landscape on the Visiona 2 in completion presented, uses the three dimensions of space. The organically formed sculpture made from two compound elements can be used at four levels.
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Year: 1963
Adaptable side table and closed container in one – the BARBOY is a piece of furniture for many opportunities. Time of his life Verner Panton dealt with the harmony of form and function. Besides, mobility was an important aspect.
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Year: 1959
HEART CONE CHAIR, Verner Panton named his piece of furniture, based on the Cone Chair, designed in the year before. The backrest reminds of a wing pair. Together with the cone, the base of the chair, the silhouette copies the form of a heart.
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Year: 1969/70
To the Cologne furniture fair in 1970 Verner Panton sketched the RING LAMP. How the name already allows to suppose, the wall and covers light exists of rings becoming smaller inwards. Besides, the light source, integrated in the centre, forms the most internal circle.
READ MORE →Year: 1959
The first light of Verner Panton which was produced in a row was the TOPAN in 1959. The down open, spherical lampshade was made from polished or colorfully varnished aluminium metal (polished or brushed aluminium and in blue, turquoise, orange and red varnished) by Louis Poulsen.
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Year: 1968
Simply and nicely, with these both adjectives the FLOWERPOT by Verner Panton can be described the best way. Conceived as a table light, cover light and garden light, the design of the light sketched in 1968 was distinguished in 1972 with the federal price Gute Form of the Federal Republic of Germany.
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Year: 1971
SPY, called Verner Panton his beginning of the 70s brought up light. Like a concealedly operating person, the spy’s light hides her true face first. Planned for the wall montage, her base exists of a round metal plate on which a lamp fixture was placed concentric.
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